- Consider During's overview of globalization in the chapter on "Space." Is Disney a global culture?
- During comments that, in one sense, "globalisation needs to be regarded as the outcome of a history of Western expansionism" (83). How do you understand Disney's relationship to globalisation in this sense?
- "Technological factors in the process of globalisation include the development of new communications technologies, especially the Internet..." (85).
- Consider During's comments on the more negative sense of "vernacular globalism" (87) as a "dislocat[ing]" force tending to the "Americanisation of the world." How do you understand Disney's relationship to these facets of globalisation? To the spectre of "global uniformity" under capitalism?
- Consider the way During speaks of "nation" in this chapter. In what ways might we think of Disney as a nation? Disney culture as a national culture? Disney subjects as patriotic? What about the way Disney represents other cultures?
- As above, Anderson's concept of "imagined communties"-- religion, like nation, an "ideological formation based on the organised imagination" (99).Balibar on nationalism (100)? Disney and tourism, the "tourist gaze" (101)?
Saturday, February 16, 2008
During, "Space"
During, Simon. “Space.” Cultural Studies: An Introduction. New York: Routledge, 2005. 81-106.
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